This paper examines the unconventional and poorly understood application of the Tiwanaku graphic communication system, specifically the graphic configurations on low-rimmed stone containers, and their role in memory production. Studies in the anthropology of memory sugges t that images are a substantial part of memory production. In approaching the role of images in the production of memory in Tiwanaku society, this paper analyzes five containers dating to Tiwanaku IV and V (Ponce Sanginés 1976) —phases that approximately correspond to Tiwanaku 1 and 2 as defined by Janusek (2008). The containers evoked the presence of primordial worlds and maintained memories at the same time. In order to see what insights might be gained from different levels of visual expression an analysis is conducted based on a semiological multi-level theory and methodology. The paper
examines the containers using four levels of visual expression – graphic units, their configurations, container surface, and pra gmatic use – that were directly related to the production of memory. The analysis shows how Tiwanaku stone containers with low rims and their graphic inventories were used to help memorize primordial worlds. The paper also aims to refine the definition of image types within the cognitive process of m emorization.
